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- Comics war of the gods mod#
- Comics war of the gods full#
- Comics war of the gods series#
- Comics war of the gods free#
Once the mod is released, it will be available for purchase on their Patreon. Morty’s head is also comically massive, and clips through objects in the environment, but it just adds to the charm of the already pretty blasphemous mod. The character models for both Rick and Morty have unblinking eyes with constant smiles on their faces that never really move.
Comics war of the gods full#
Omega Fantasy says that the video is just a teaser for the full release, which hasn’t been given a date yet and seems to still need a little work. God of War Franchise: 4 More Games Coming After Ragnarök? Only a Teaser The fully functional character models also use the lines from the crossover advert, and some general quotes from the show, and are pretty funny. Omega Fantasy released a YouTube video on their channel showcasing a fully playable mod that includes Ragnarok Rick (or as calls him Ricknarok) and Morty, thankfully with a real bow and arrow this time and not a toy one, in the wonderful world of God of War. Omega Fantasy is a modder that seems to love God of War and has been modding for the game since God of War 3 and has done it again.
Comics war of the gods free#
Ayala and Olivetti, along with colorist Trish Mulvihill (who renders everything in a bright, blocky style that recalls the best of 80’s comics) and letters from the always-reliable Pat Brosseau, ask, “What If?”, and lets us follow that simple question to its thrilling conclusion, free from pesky things like “Superman lives” and “endings with even the slightest smidgen of hope”.Of course, because the idea was spoken into existence, a modder had to do it. Seeing how writers twist narratives from a single change has resulted in a lot of really interesting stories, often veering wildly away from expectations.
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Tales from the Dark Multiverse has been a delight so far. There’s little left to do but pick up the pieces and move on.
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In a slight break for the series, it ends on a slightly more upbeat note, after several powerful mystical heroes give their lives to chain Hecate, but the greatest tragedies have already happened. Several heroes are killed in the attempt to stop her, including Superman, his heart ripped from his chest, the most on-the-nose bit of subtext in the entire issue. It leads to a confrontation with the heaviest hitters in the DC Universe, where the tragedy deepens: the heroes’ connection to Diana won’t allow them to commit the necessary act to stop this crisis. Hecate takes control and gets the upper hand, moving Themiscyra to Washington, D.C. That key difference from other “What If?” or Elseworlds-style storytelling is what sets Tales apart. Without the need for a happy-or even remotely optimistic-ending, writers are allowed to indulge in their grimmest fantasies. And it’s here, throughout this series, that the concept shines. The fallout of that plot point are where the most interesting parts of the speculative elements take over. It gives Hecate the opening she needs, and takes over. Diana’s refusal to back down, Wonder Woman’s greatest strength, simply results in Hecate fulfilling her plans in less direct, more painful ways-more death, more destruction, hitting ever closer to home. Diana’s unwillingness to back down does nothing against the will of Fate itself, as this story illustrates.Īll of these stories are tragedies, resulting in cataclysmic consequences for their slight tilts to their realities.
Comics war of the gods series#
This is a theme running through the series so far, taking one or two flaws or traits from their central characters, and using wild circumstances to magnify them into storms of tragedy. This being an anthology series, the quality can vary wildly issue to issue, but here, Vita Ayala and Ariel Olivetti are more than up to the task, taking everything that makes Diana such a compelling character-her indomitable will, her sense of duty, her inability to fail-and making it a liability. The requirement for things to go as sideways as possible allows writers to speculate wildly, and more often than not, the results are worth reading, weirder and darker than their gimmick would suggest. The formula is the same-take an event/storyline, change a single aspect of its execution, and let the story play out from that divergence.
![comics war of the gods comics war of the gods](https://d1466nnw0ex81e.cloudfront.net/n_iv/600/3446813.jpg)
Part of what has made Tales from the Dark Multiverse interesting is that, unlike its closest comparison “What If?”, the macro setting, being a dark and hopeless place, obviates the need for a happy ending.